| Store
Hours: Monday~Friday. 8:00am~6:00pm Pacific Time |
T-Rex | |
| 1-951-369-7888 | ||
|
|
|
|
|
|
|
|||||
|
|
||||||||||
|
|
|
|
|
|
||||||
|
|
||||||||||
 |
|||||||||||||
T-Rex
Guitar Effects...Replica, Mudhoney, BetaVibe, Tremster, Comp Nova, Dr.
Swamp. International orders please call or email in advance for shipping charges. |
|||||||||||||
|
|||||||||||||
 TWIN BOOST |
Blast off with Twin Boost |
||||||||||||
 BETA VIBE Quantity 0 |
The
BetaVibe is
an analog chorus loaded with features. Unlike other chorus units, the BetaVibe's
mix knob allows the user to dial in a very subtle chorus, an all out psychedelic
swirl, or anything in between. Another unique feature is the BetaVibe's
ability to create a "ramp up/ramp down" speed
change. With the mode button in the down position (and by depressing the
tap tempo footswitch) the user is able to change the modulation speed gradually
from slow (preset by T-Rex to the minimum speed) to fast (the speed setting
selected by the user). By depressing the tap tempo footswitch again, the
unit gradually changes the modulation speed from fast to slow. The result
is remarkably identical to a real leslie rotor. With the mode button in
the up position, the user is able to change the modulation speed manually
by "tapping it in" via the tap tempo footswitch. Tap tempo,
speed and on/off functions can also be controlled externally, via the
built in midi socket. The circuitry is entirely analog, with the exception
of some digital circuitry to accommodate the midi functions. The signal
however, only signal passes thru analog circuitry. The volume control
is unity gain in the 12 o'clock position and provides up to 3 dB boost
in the maximum position. The BetaVibe is true (hot-wire) bypass and is
AC powered. Just plug it into any AC outlet and use it to add fine textures
to your music! |
||||||||||||
 Alberta Quantity 1 |
Alberta is quite unique; she makes your guitar sing. She provides instant access to the kind of warm overdrive and emotive
distortion usually reserved for 30-year-old tube amps. Albertas sweet tube-like harmonics and wide and natural sounding tonal spectrum faithfully reproduces all the subtle nuances of your playing dynamics. A MUST HEAR! |
||||||||||||
 Møller Overdrive Quantity 0 |
Møller
Overdrive |
||||||||||||
Quantity 1 |
The
Mudhoney is
the ultimate "fire and brimstone" machine. With the boost function
disengaged, it provides a mild to fierce boost (depending on gain setting),
with lots of bottom, easily recreating psychadelic guitar sounds of the
’60s. When the boost is engaged, the gain becomes much more sensitive
and is capable of unleashing the most hairy "in your face" fuzz
mania by adding a wild subharmonic beneath the selected fuzz setting.
Unlike most other units, the Mudhoney is able to maintain a tight bottom
end, even in the most extreme settings. The volume is unity gain in the
12 o'clock position and provides up to 3 dB boost in the maximum position. |
||||||||||||
 Room-Mate Reverb Quantity 1 |
Room-Mate A built-in 300 volt power supply takes the whole effect to the next level – powering a T-Rex tube that adds a voluminous, earthy warmth to incredible detail and spacious true stereo. But don’t take our word for it – plug your guitar into Room-Mate
just once – and you’ll never want to use another reverb again. |
||||||||||||
 REPLICA Quantity 1 |
The
Replica
utilizes truly amazing circuitry to create THE MOST
AMAZING DELAY !! Unlike other digital units that use a DSP chip
to sample at 44.1 kHz, the Replica uses 2 Burr Brown 24 bit converters
(1 Analog to Digital; 1 Digital to Analog) to sample at an unprecedented
rate of 200 kHz! In order to maintain full dynamics, the signal is
routed from the input ADC directly into RAM, where it is manipulated
(according to the unit's settings) and then routed directly to the
Output DAC. The circuitry is entirely analog, with the exception of
the 24 bit converters and RAM. An input pad switch can be engaged (attenuation
of -10 dB) for studio use. In addition, the Replica can be made to
sound more "analog" by pressing the
"Brown" button which engages a Hi-cut filter that alters the tone
of the repeats. The result is a warmer, smoother delay reminiscent of a
60´s era tape echo. The Replica is true (hot-wire) bypass and is capable
of delay settings up to 2000ms. The Replica also features a tap tempo function
(which can be controlled externally, via the built in midi socket), and
a subdivision function (which when engaged, creates triplets, based on the
"tapped" quarter note tempo). The Replica provides a direct
out 1/4 inch jack and contains a built in power supply. THE REPLICA -
Just plug it into any AC outlet and GO, GO, GO !!!!!! |
||||||||||||
 DR. SWAMP Quantity 0 |
Dr.
Swamp The T-Rex Dr.Swamp is a double distortion pedal. It has that rich vintage sound, T-Rex is known for. Besides the warm crunchy sound, this pedal gives a lot of steady bottom. You
can flip back and forth between the two gain settings A and B - by
clicking switch A or B. The LED (A or B) is indicating the active
gain. The pedal is turned off, by clicking the switch (A or B) that
is lit. |
||||||||||||
Quantity 0 |
The
Tremster has
been designed to sound like a vintage tube amp tremelo. Unlike many other
tremelos that utilize opto-electronic designs, the Tremster uses a light-dependent
resistor (LDR) to achieve it's deep, buttery, seductive tone. A flashing
LED displays the selected speed setting, and allows a wide range of control
from very slow to head-spinning fury. When the mode button is in the "normal" position, the Tremster has an aggresive/more
sine wave type effect on the signal, coming down 100% in volume. When the
mode button is depressed, the Tremster has a less aggresive/more square
wave type effect on the signal, coming down only 80% in volume. The actual
volume control itself is unity gain in the 12 o'clock position and provides
up to 3 dB boost (and more "bite") in the maximum position. |
||||||||||||
Quantity 0 |
The
Comp Nova is
T-Rex's answer for players seeking a simple to use, 9v powered compressor
unit with clarity and dynamics (even at maximum compression levels) that
will not color their sound. The setting of the comp control is used to
dial in the desired amount of compression. The attack control is dual function
and adjusts both the attack and threshold (how hot the signal should be
before engaging and how long before releasing). The volume is unity gain
in the 12 o'clock position and provides up to 3 dB boost in the maximum
position. The Comp Nova - use it to smooth out and thicken your guitar
tone, while adding that much sought after "chime". |
||||||||||||
| Home Electric Acoustic Basses Amps Effects Accessories Artists Forum Contact Links | |||||||||||||
